With this film-manifesto, the two artists invent what they called the Cinéma corporel (Cinema of the Body), they present themselves as a "double auteur femme" and they lay the foundations of the radical critical and esthetical positions of their work to come. Double Labyrinthe has a mirror structure based on their "mutual gaze": in the first part Katerina performs while filmed by Maria and in the second part Maria performs filmed by Katerina.
Maria Klonaris
Katerina Thomadaki
Amir Hetsroni: Case Study
Koodal
Lake
The Act of Seeing with One's Own Eyes
365 Day Project
Zappa
The Hymns of Muscovy
Newark Athlete
Meditation on Violence
From the Notebook of...
The Bigmoon Nights
The Nine Muses
Fencing
A Hand Shake
Ikebana
The Woolworths Choir of 1979
Water-Mirror of Granada
Flower Bed
Hands
Emak-Bakia
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