Henri Storck’s militant short on Depression-era Belgium, set in Walloon slums on the outskirts of a prosperous city. Staged vignettes expose substandard housing, overcrowding, and numbed survival through claustrophobic, frame-filling images; a coda on slum clearance and “garden city” rehousing offers guarded hope.
The Children of Fierro
Black '47
Meth Storm
The Kids' Diner
Borrowed Face
My Own Private Idaho
Monster
Greed
Three Hours
Platoon
Lilya 4-ever
Gods
Accattone
Young Fugitives
Helambu
Motel
Invictus
On Hold
The Postman
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